It’s been so long since I watched a comedy that wasn’t part
slapstick, another part vulgar, and the rest just plain silly that I had
forgotten about Woody Allen’s 1979 movie “Manhattan.” I caught the tail end of
it on Epix just now. Of course, I’m looking at it through the lens of several
decades past. The movie came out in 1979 but the time frame in the writers/director
mind was probably the late 60s or early 70s.
That’s how I remember Manhattan anyway, when I lived there for a brief
period. It seemed as if everyone was looking for someone or something, and
everyone was kind of smarter than the people in the small town I came from.
That latter characterization pertains only to those like myself who once confused
metropolitanism and sophistication with intelligence, as many of us tended to
do. I don’t want to write a review-review of this movie, and I only watched the
last third of it but the film is positively enthralling, a work of rare
artistry, a blend of music, visuals, people, neuroses and aspirations that
seemed oh-so-real I might have cried. Well, at least it made me think of
crying. The poignant and revealing interludes all fit together and merge beautifully
at the end, the music, the Manhattan skyline, the lovely voice of the ingénue--
innocent Mariel Hemingway with her plaintive voice going off to London. The
film is giant for writers, film types, and people with beating hearts Those were different times, as Lou Reed
once sang about Sweet Jane..
amazon.com/author/anthonyventre
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