Saturday, October 29, 2016
Sunday, October 9, 2016
John Edwards: A Senate Democrat’s 1980s Sex Scandal
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Tuesday, October 4, 2016
Gomorrah: Maria Pia Calzone as Imma Savastano
Yes, the Sundance Channel series Gomorrah is sub-titled. But
you don’t have to speak Italian to enjoy the show. The action is in the universal language. Love, hate, violence, revenge. The blank
spaces in the sub-titles are those four-letter words. You can easily learn how to swear in
Italian. That will impress your friends
in Milan.
But what I’m thinking about today is Immaculata. That is the
real name of the top clan guy’s wife in the Gomorrah series. I’ve heard a lot
of complaints here in the U.S. about the lack of female roles for actors over the
age of twenty nine. American TV and film
needs to write a role like the one given this woman.
Maria Pia Calzone portrays Immaculata (the Immaculate) with
serious verve, style, focus, and a mysterious womanhood. Watching her in the
series made me a bit ga-ga, I’ll admit. When
she hit up on one of my twitter posts, I discovered what it was like to walk on
air. I went around the house acting like a celebrity to our dog for at least a
week.
Imma’s a really unusual mom to her son Gennaro, a guileless
and unruly kid who is over the moon about Noemi. l Gennaro’s gone to great
lengths to impress Noemi. The girl is pretty and sexy but Imma can’t for a moment
take the little fool seriously.
Yet she knows enough not to interfere with her son’s yearnings.
She stands by and smiles as Gennaro romps around the place with Noemi both of
them in their underwear. Mothers, you don’t want this girl in your crime
family.
Eventually Gennaro matures and sees that Noemi is superficial.
That only happens after mother Imma has sent him to Honduras, ostensibly for
business reasons, but really to harden him in the cauldron of the drug cartels.
One Gennaro goes down to Honduras. Another Gennaro comes
back, shoots Imma’s mastiff for attacking him on his unannounced return. This
Genn
In previous episodes, Maria Pia Calzone appeared resigned to
her role as the mobster’s wife. Obedient. Caring. She’s not
shy about ruling the roost. But over all, Don Pietro had the final say about
all business matters and even some domestic ones – like the sofa they have in
the living room. He tosses the new sofa out because he thinks the Italian cops
have bugged it. Imma is quiet but absorbs everything about her surroundings.
She understands the business and has deep perception about the psychological
underpinnings of the males who surround her.
She takes over the clan expecting a rebellion from the old
school males allied with Don Pietro.
Sunday, October 2, 2016
Gomorrah : Tales of the Italian Ghetto
Just finished watching an Italian TV series called
Gomorrah. Rhymes with Camorra. Unlike the American Mafia or the Sicilian
Mafia, the camorras have no hierarchical structures. There is not one single camorra – there are several,
rather like constellations.
Organization is horizontal, rather than pyramidal. Positions
may be inherited. Rules are not always followed.
It seemed strange to me how the actors and directors of this
TV series were, in interviews, saying such nice things about American films and
TV series. Unless they were referring to
‘slick,’ I kind of thought the opposite. The Italian version of a crime epic
was grittier and more realistic than the ones I’ve watched – excepting perhaps “Casino”
where there is not much room for romanticism.
But even there, Gomorrah was hands-down more realistic than
any mafia conforming fare found on American TV and film. Hey listen, wiseguy, I’m
not putting down the American films like Godfather and Casino and TV shows like
“The Sopranos.” I thought they were great.
Gomorrah is different, that’s all I’m saying. Part of it is my own taste for realism. The
more realistic the better. So let’s face it, the comorras of southern Italy don’t
play very nice.
Gomorrah, offered by Sundance TV and still “On Demand” has
three directors. You may have noticed that earlier I used the plural when I
referred to the director (s).
There is Stefano Sollima, the key director of the character Pietro
Savanstano, head of the clan. His wife is named Imma for Immaculata – how’s
that for an Italian name? She gets her own director but in most cases she needs
one only to move her through the scenes. Then they have a son. His name is Gennaro. At first he’s clueless
but then grows into a chip off the old block.
His director is Claudioo Cupellini.
What’s up with three directors? Well, Stefano Sollima is the top man but the
other two have a great deal of independence.
There are three driving forces therefore. Just as in real life the
tensions occur between people, so it is with these characters. It’s fascinating – it’s conflict you can
feel. It gets under your skin. The characters are despicable and noble at the
same time. As in Game of Thrones, these three characters live in separate
kingdoms, separate domains.
Other details: The
screenwriter is Stefano Bises. The
filming makes use of 126 different locations, 225 actors, and hundreds of
actors. Italians go big if they go at all. The series transformed Naples into a
huge movie set.
Though some Italians have complained of bad publicity for
Naples (See Naples and Die) actor Salvatore Esposito, who plays Gennaro
Savastano, points out that tourism to Naples has increased, not the other way
around. I have to say that I am curious, too.
My father was a ‘Napolitano” (Neopolitan).
The stories are true. They come from Robert Savio’s book of
the same name: Gomorrah. Some of the
inspiration, too, comes from Matteo’s film which was adapted also from Savio’s
book.
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